Yesterday morning I woke up in great anticipation. After being in a lot of pain in my back and hip for weeks I was scheduled to get an injection that might give me some relief. There were several inches of new snow on the ground, and most schools had cancelled classes for the day, but I figured that by afternoon when my appointment was the roads would be clear.
And then the phone rang. My doctor’s nurse was calling to tell me the doctor could not make it in, and my appointment would have to be rescheduled. Making matters worse the doctor only does these injections on Tuesdays; so I would have to wait an entire week.
To say I was very disappointed would be an understatement. My long-suffering wife would tell you that I am usually a glass half empty guy, and this unwelcome surprise did not help my general level of frustration with health concerns, COVID restrictions and all that entails.
But then a minor miracle happened, and I can’t explain it, which I guess is true of all miracles. I was looking at my sad sack face in the bathroom mirror, and suddenly out of nowhere I started singing some of the lyrics to “L’chaim” from “Fiddler on the Roof.” No one else was home fortunately, or my embarrassment over my poor singing voice would have probably stopped me from expressing an emotion of joy and optimism.
I haven’t seen or heard “Fiddler” for decades, and when I do think about that musical I usually think about the title song or “Tradition,” or “Do You Love Me?” But from somewhere hidden away in my memory came these words, and there I was singing as if no one was listening, “L’chaim, l’chaim, to life.”
I don’t know all the lyrics to that song so I ad libbed the words I remembered:
“May all your futures be pleasant ones, Not like our present ones; Drink, l’chaim, to life. To life, l’chaim, L’chaim, l’chaim, to life!”
“To us and our good fortune, Be happy, be healthy, long life! And if our good fortune never comes, Here’s to whatever comes; Drink, l’chaim, to life!”
I don’t know what to make of that except I know it lifted my spirits for the rest of that day. Thinking about the context of that musical set in the midst of oppression of the Jews by the Russian authorities put my minor problem of waiting a week for my injection in its proper perspective.
The characters in this wonderful musical are being forced to leave their beloved village of Anatevke for parts unknown. And the lovable protagonist of the drama, Tevye, is trying to cope with a shaking of the foundations of all his traditions as each of his daughters pushes the envelope further to claim her freedom.
And yet in the midst of all this disruption and change the men of Anatevke break into song to celebrate the arranged marriage of Tevye’s eldest daughter, Tzeitel, to the much older town butcher, Lazar Wolfe.
Spoiler alert: the arranged marriage doesn’t happen because Tzeitel protests and Tevye ends the agreement and lets her marry the man she loves, Motel Kamzoil the poor village tailor. Tevye’s daughters 1, traditions 0.
But regardless of what happens eventually the men in that bar spontaneously singing L’chaim are celebrating much more than one marriage. In the midst of all the unrest and uncertainty imposed on them by the hated Russians these men are still celebrating life.
The people of Anitevke have no idea what tomorrow will bring. Their traditions are being challenged by the younger generation as younger generations always do. And yet they celebrate love and hope in the future by marrying and bringing new life into a world of uncertainty and ambiguity.
We live in such a time right now in our pandemiced and polarized nation, and yet we dare to sing with Tevye and his friends:
“Be happy, be healthy, long life. And if our good fortune never comes’ Here’s to whatever comes. Drink, l’chaim, to life!” Amen